The actor also shares what it was like auditioning for the highly anticipated superhero movie.
Nicholas Hoult is sharing some insight into his preparations to play Lex Luthor in James Gunn’s upcoming Superman.
The actor stopped by the Inside of You with Michael Rosenbaum podcast to chat about his acting career, including the highly-anticipated movie, which began production last week, per the director.
Hoult looked back at his time auditioning for the classic villain, saying Gunn has an “ability to keep things fun and alive and try things in the moment and be like, just shouting out from the monitors, ‘Say this line. Do this! Do that!’ And that’s something that I really enjoy. … That’s the whole process of prep for me is like, be prepared as possible so when you get there you can throw it all away and do whatever you want in the moment.”
As for the weeks leading up to filming, the Renfield actor also told the host that he began working out to play Lex.
“There’s that bit in All-Star Superman [comic book series] where he talks about his muscles being real and hard work and all that,” Hoult said. “I kind of took that as a little bit of fuel for the fire.” But he also noted that he doesn’t think the villain will have any shirtless scenes in the film.
Earlier in the podcast, Hoult revealed to Rosenbaum, who played a younger version of Lex on Smallville, that his iteration of the villain was the first time he saw Lex on screen.
“The first ever Lex I saw was you. Yeah, I grew up, Smallville was on,” the Warm Bodies actor said. “That was the show I would watch and see my first iterations of Superman and Lex and all those stories. I’ve since seen Richard Donner’s movies and all the other ones and kind of seen some of the other performances but you’re like the one. … It’s the best.”
At the end of February, Gunn shared a photo of the cast all together for the first time, noting that the image was taken after the first table read. Hoult appeared to be sporting a shaved head, gearing up to play Lex.
Gunn’s Superman, also starring David Corenswet as Clark Kent/Superman and Rachel Brosnahan as Lois Lane, is set to be released on July 11, 2025. [Source]
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Nicholas Hoult attends the Dior Homme Menswear Fall/Winter 2024-2025 show as part of Paris Fashion Week on January 19, 2024 in Paris. You can go to the gallery to take a look to the photos.
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2024 Public Appearances > Dior Homme : Photocall – Paris Fashion Week
2024 Public Appearances > Dior Homme : Arrivals – Paris Fashion Week
We hear that James Gunn has found his Lex Luthor in British actor Nicholas Hoult, several sources tell us.
A movie star was always eyed for this role after Gunn selected fresh face David Corenswet in the title role, and Emmy winner Rachel Brosnahan as Lois Lane.
The studio wanted to go through the casting process after the SAG-AFTRA strike of landing an actor to play Luther. Warners is already in business with Hoult on Clint Eastwood’s Juror No. 2. Hoult also starred in the 2015 Warner Bros. blockbuster, Mad Max Fury Road which made over $380M at the global box office.
Deadline reported last week that Venezuelan actress María Gabriela de Faría landed the role of villain The Engineer.
Hoult follows in the line of such actors as Gene Hackman, Kevin Spacey and Jesse Eisenberg who’ve portrayed Luthor on-screen in the Warner Bros. Superman franchise.
Gunn selected Corenswet and Brosnahan after months of audition tapes and in-person screen tests as his main leads before the actors strike, but continued to be in prep on the movie.
Gunn (the Guardian of the Galaxy films, The Suicide Squad, the original Max series Peacemaker) is directing from his screenplay based on the DC characters. Superman was created by Jerry Siegel and Joe Shuster. The film is being produced by co-DC Boss Peter Safran (Aquaman, the upcoming Aquaman 2, The Conjuring franchise).
Superman: Legacy has been set for a worldwide release on July 11, 2025.
The project was announced earlier this year when Gunn and Safran laid out their plan for the first phase of this revamped slate and Superman: Legacy was front and center as the project that would help launch this strategy. [Source]
Nicholas Hoult has dipped his toes in every possible film genre, though horror has been his latest conquest. Most recently he portrayed Renfield in Chris McKay’s comedy-horror by the same name, where his character served as the henchman to Nicolas Cage’s Dracula. Prior to that, he excelled as Tyler in 2022’s The Menu, directed by Mark Mylod, starring alongside Ralph Fiennes and Anya Taylor-Joy. He is certainly widely recognized as Peter III, emperor of Russia, from Hulu’s The Great, although they bid him farewell in the latest season. And if none of those ring the bells, millennials definitely know him as Tony Stonem from our childhood obsession over Skins.
Outside of film, Hoult is an ambassador for Jaeger-LeCoultre. Known for its innovation and creativity, the Swiss watch brand combines technical ingenuity with aesthetic beauty and understated sophistication to create the finest timepieces. To celebrate the opening of Reverso Stories, brand ambassadors Lenny Kravitz, Anya Taylor-Joy, and Nicholas Hoult took part in an elegant NYC soiree. On view now, the immersive exhibition explores the creative universe of watch design over the past 90 years.
FLAUNT joined in the celebration and sat down with Hoult to chat about craft and craftsmanship.
Tell me a little bit more about your relationship and partnership with Jaeger-LeCoultre.
My relationship with Jaeger started at the Venice Film Festival. They’ve sponsored the festival for many years. I am not allowed to talk about specific films at the moment, because of the strike, but I was there with a film and Jaeger reached out and mentioned wanting to lend me a watch to wear to the premiere, and that was the beginning of the relationship. I know people always say these things grow organically, but for a few years in a row I had movies at the festival, and I would meet and spend time with the Jaeger family there, and then they asked me to participate and be an ambassador for them.
Yes, you’ve been starring in their campaigns as an ambassador for a few years now. What makes their watches, in particular, The Reverso, so special?
It always comes back to the history and the craftsmanship of them. And also, the creativity of it, the artistry, and the talent of the people at the manufacture. It’s all those things combined. And that’s a very special feeling to try to capture. The watches feel good, they look beautiful, and there’s also this thing with Jaeger-LeCoultre, where people that are real fans of watchmaking really love and understand who they are and what they do, and it’s not just a symbol of monetary wealth, but it’s a much more artistic development, and a symbol of creativity.
And they are constantly innovating. They are always creating new timepieces, like the one I am wearing now, The Reverso. So it’s exciting for me to get closer to the process and get to see the work behind the piece. This is only the second time ever they’ve created a Reverso Chronograph, which also, for me, is something purely aesthetic, as I love having the skeleton case because you can really see all the inner workings of the watch.
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I have added some new photos of Nicholas Hoult to the gallery so, you can go there to take a look and enjoy!
If you like the updates and want to help this site to keep online, please, feel free to go here to donate. Things are not good and I really need help to keep the site. Every little bit helps!
Jaeger-LeCoultre unites the talents of Global Ambassadors Nicholas Hoult and Anya Taylor-Joy in The Watchmaker of Watchmakers, the Manifesto that reflects on the true source of success – an homage to the work that is done when nobody is watching; the years of practice it takes to perfect a gesture, a movement, a timepiece. Celebrating the values of patience, hard work and dedication to excellence – the values that have guided La Grande Maison throughout its 190 years of history, the narrative builds into a powerful message about the unseen work that makes their creativity appear so effortless – a natural analogy to the art and craft of watchmaking.